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Other versions also contain alternative footage shot specifically for Middle Eastern markets that does not depict nudity. Italy: Alan Young Pictures. Harold Monroe, an anthropologist at New York University , agrees to lead a rescue team in hopes of finding the missing filmmakers. Because Cannibal Holocaust was a non-Union production, Yorke originally wanted to be credited under the alias Christopher Savage, but ultimately decided against doing so. The second part is a masterpiece of cinematographic realism, but everything seems so real that I think you will get in trouble with all the world.

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The film's soundtrack was composed entirely by Italian composer Riz Ortolani , whom Deodato specifically requested because of Ortolani's work in Mondo Cane. Unofficial sequels to Cannibal Holocaust were produced in the years following its release. Yorke describes the set as having "a level of cruelty unknown to me," [10] while Kerman described Deodato as remorseless and uncaring; [18] he and Deodato got into long, drawn-out arguments every day of shooting, usually because of remarks made by Deodato. They continually push Monroe to finish editing the footage because blood and guts equal ratings. Deodato followed suit in ways of similar content, such as graphic violence and animal slayings. The intrigued natives agree to trade it for the filmmakers' surviving reels of film. They arrange the release of their hostage in exchange for being taken to the Yacumo village.

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